enasroterfaden:

writingguardian:

Originally posted by natureandself

We see them all the time - horses in fiction. And there is so much to learn about them that it can be a little overwhelming! But I work with horses a lot so I thought I’d be able to help some of you guys out by going through the basics you’ll need for writing. (by the way, I only ride English style. If somebody wants to do something similar for Western riding, by all means, fire away.)

Horses and ponies - whats the difference?

It’s the height. Horses and ponies are measured in hands - 1 hand = approx 4 inches. A pony is anything below 14.2hh,(hands), a horse is anything taller. Any pony smaller than 14hh would really only be suitable for children. A stockier 14.2hh could hold teens or small adults, but most teens and adults would probably ride horses. 16hh would be an average size.

Stallions, mares and geldings.

A Mare is a female horse. They can be quite moody sometimes - which they show by being uncooperative and putting their ears back. A Stallion is a male horse that has not been castrated. They can be very, very strong willed, and are typically not suitable for the novice rider. A gelding is a male horse that has been gelded/castrated, They often have a more relaxed, placid nature. A colt is a young male, and a filly is a young female. 

Originally posted by misskrazanius

Breaking

Training a horse under saddle is called ‘Breaking.’ A horse is typically broken around ¾ years of age, once it has finished growing. Breaking correctly is a long and patient process - not something that your character can do in a few minutes.

Gaits

Horses have four gaits. Walk, trot, canter, and gallop - in that order of ascending speed. Nobody trots away from danger. if your characters are fleeing, they are in a flat out gallop.

The tack

For describing scenes - you’ll really only need to talk about the reins and the bit. Pressure on the reins (held by the rider) should slow the horse down. The horse feels this pressure acting through the bit. 

All you really need to worry about for the saddle are the stirrups, and the girth. The girth is holding the saddle on, and the feet go into the stirrups.

Learning to ride

Is difficult! Your character won’t be a pro withing a couple of days. Its hard on your legs, and learning to balance can be tricky too. Somebody who is very comfortable in the saddle is relaxed and secure, and able to deal with however the horse acts. The rising trot, when the rider goes ‘up and down’ in sync with the horses movement in the trot, can be particularly difficult.

Ability

The average gallop is around 45km/h. So, bear i mind that a horse cannot outrun a car or anything like that. Jumping ability varies - a heavier horse will struggle over a 90cm hedge, but a quality animal could easily pop 1.60m (but only with a good rider.)  If your character gallops the horse on hard ground, it could easily go lame - they aren’t invincible! 

Originally posted by tvneon

Feeding

Horses don’t eat the same way as dogs or cats. They are grazers - meaning they need to eat little, and often. Your character giving them a Handel of oats once a day is really not going to keep them alive. They need forage - grass or hay - and a lot of it.

Portraying atmospheres

Showing how the horse is feeling can be a really great tool for expressing the ‘mood’ of a scene. 

Relaxed - A relaxed horse will have its ears back lazily, but not pinned against its head. It will likely doze off and close its eyes, maybe while resting a hind leg.

Alert - Horses are super smart animals, and many say that they have a sixth sense that lets them know when something is coming. An alert horse stands up straight, and has its ears pricked forward.

Upset - If something bad is happening, the horse won’t be in  good mood. It might pin its ears flat back against its skull, and bare its teeth. It will flick its tail irritably, and a horse will kick out or bite at something if its unhappy.

Horses as friends

Originally posted by stuckonsport

Horses are deeply empathetic animals. They are herd animals too, and can form deep connections with their people. A horse who is fond of a person may whinny when they see them, and nuzzle their face and neck. A real trust can form between horse and rider. To show this as your story progresses, the horse will become pleased to be with the character, and the character’s nerves aboard the horse will begin to fade.

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If you have any more specific questions, feel free to message me. All of this is very basic, and I am more than happy to help some fellow writers. 

Happy writing, Aoife - @writingguardian

Nice! Super useful for Fantasy writers in particular :)

This is amazing!  I can only think of a few points where Western riding would differ.

This is a Western saddle (I know nothing about the website, fyi).  They are *much* larger and heavier than English saddles.  An average-sized adult can carry one around without too much trouble, but there will be no flinging or one-handed lifts (there shouldn’t be any flinging to begin with, you could hurt the horse).  

The biggest changes come in two places: the use of the pommel and horn, and the length of the stirrup strap.  The pommel and horn together should reach the lower to middle abdomen.  Some people like to rest their free hand on them while walking, some hold on for extra security when the horse goes faster.  A comfortable rider should not feel dependent on holding the horn at speed, but tension can be created with a character holding on tightly as a horse gallops away from danger.  The stirrup strap is kept much longer on a Western saddle, to the point where there is only a slight bend in the knee rather than a sharp one.

In Western riding circles the canter gait is called the lope.  This gait could be used to have characters cross distances quickly (broken with bouts of walking), without exhausting the horses the way a sustained gallop would.  

As noted above, horses can be a joy to bond with, and there are inexhaustible ways of allowing a horse’s personality to shine through.  A playful horse might nudge their rider while being brushed, or lip at their pockets if they normally carry treats.